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1, I made some changes of this paper so please use this draft to continue the work if

possible.

2, Please can you add some data or professional charts or something else to present

professional psychology?

3,Here is an assessment criteria

1, Demonstrate critical understanding of historical and contemporary debates within interior and spatial design based on a coherent and detailed analysis of key aspects of practice and theory (Knowledge).

2, Carry out sustained, systematic critical/practical research, using relevant resources and appropriate methods of analysis, enquiry and experimentation, and demonstrating the distinction between your ideas and those of others (Enquiry).

3, Apply appropriate processes, skills and methods to referencing (Process).

4, Use effective communication and presentation skills appropriate to theoretical and practical outcomes in order to articulate complex ideas and arguments convincingly and clearly (Communication, Realisation).

I think we are missing: sustained, systematic critical/practical research and appropriate methods of analysis, enquiry and experimentation, and demonstrating the distinction between your ideas and those of others

4, you can improve what I marked, with your psychology knowledge. If it is hard for you to

write about art, then you left it for me, but please finish this paper before 21th ,06:59am in the

morning (American time) , so that I can have time to review and finish.

批注 [MOU1]: All the comments are my personal

opinions based on the Dissertation Handbook(which

I sent you in the beginning) and my tutors’

suggestions. You also can read the handbook and

have your own thoughts;(Some of the text I wrote

in the beginning are also wrong) I’ve sited and

highlighted the Dissertation handbook texts in

red, which must be revised. I hope these can help

you, so that we can write a good paper.

PSYCHOLOGY, ARCHITECTURE & INTERIOR DESIGN 2

The Psychology-Driven Housing Interior Design

Unit 10 History and theory 3 (Consolidation)

word count:7500

20/01/2020

批注 [MOU2]: The title may require a bit of

deliberation, as it is mostly about how

psychology and architectural design interact.

identified and discussed key issues that relate to the

discipline (interior and spatial design)

PSYCHOLOGY, ARCHITECTURE & INTERIOR DESIGN 3

PROBLEM: How to tap on psychological knowledge for effective and better housing

design

KEYWORDS

Psychology, architecture, interior design, wellbeing, housing

ABSTRACT

Contemporaneously, research suggests that people spend more than 70% of their lives

indoors. Thus, to ensure that people are more comfortable while indoors, modern architectural

sector primarily focuses on producing designers with the background and capability to

develop a comprehensive psychological intervention vision that accounts for all the design

parameters and identifying and accounting for all the considerations that are to be made

during the housing design. A critical architectural role is providing built environments

capable of sustaining its entire occupant’s psychological needs and well-being, a role that has

become critical in the modern era. Thus, this paper will offer an in-depth discussion on the

core psychological elements of interior housing design that interior designers can bring to

residents, and how these elements can be harnessed in the design of better, more comfortable

and enjoyable houses.

PSYCHOLOGY, ARCHITECTURE & INTERIOR DESIGN 4

TABLE OF CONTENTS

LIST OF TABLES

CHAPTER

1. INTERODUCTION

1.1 Defining Interior Design 1.2 Definition of a ‘home’

1.3 Architectural Psychology and Interior Design

2. ARCHITECTURAL PSYCHOLOGY

2.1 History of Architectural Psychology

2.2 Architectural Examples of Applying Psychology

2.3 Housing Architecture

2.4 How to apply psychology to architectural design conception.

3. HUMANIZATION AND PSYCHOLOGY

3.1 What is Psychology

3.2 The Relationship Between Design and Psychology

3.3 How Psychology Reflected in Design

4. INTERIOR SPACE AND PSYCHOLOGY

4.1 The Effect of Indoor Light on People’s Mood

4.2 How does indoor air affect people

4.3 The effect of home colors on people’s mood

4.4 How to harness psychology to improve residents’ wellbeing

5. EXPERIMENT AND TEST

5.1 design of experiment

5.2 method and process

5.3 result

6. CONCLUSION

APPENDICES

IMAGE SOURCES

批注 [MOU3]: applied the appropriate historical and

critical perspective to the subject matter is required for this

unit.

批注 [MOU4]: Please can you change a few titles

to make the article more coherent.

批注 [MOU5]: •A Primary Sources must must be

included, It can be an experiment or questionnaire (like

“A record of the effects of interior design on the

psychology of subjects”) with your result. (It doesn’t

has to be a real result, can be fake)

批注 [MOU6]: APPENDICES is required

批注 [MOU7]: IMAGE SOURCES is required

PSYCHOLOGY, ARCHITECTURE & INTERIOR DESIGN 5

BIBLIOGRAPHY

INTRODUCTION

1. Defining Interior Design

Although the term ‘interior design’ is very common, a more definitive definition for the

concept is yet to be created. Thus, in this paper, the working definition for the term is that it is

the art and science involved in enhancing a building’s and structures’ interior spaces. The

main of interior design of housing is providing a healthier and aesthetically pleasing

environment for its actual, expected, probable or imagined users. Additionally, as a discipline,

interior design entails studying the art and science of interior design. Accordingly, interior

designers are people who plan, research, manage and coordinates interior design projects

aimed at enhancing the buildings’ and structures’ interior spaces.

Contemporaneously, an interior spaces’ foundation has become a fundamental concept for

exploration and understanding as this knowledge is critical to helping and better equipping

users to harness the spaces that are available for them. Usually, even though interior designers

may have the will and resources to change these available interior spaces, effectively

achieving such a resolve and desire is often hard. A primary reason for this challenge in

interior design is that designers are often limited to working within the applicable rooms’ or

spaces’ physical confines and boundaries. To fill in this void, modern designers are

increasingly relying on light, color and patterns. First, natural or artificial light is increasingly

PSYCHOLOGY, ARCHITECTURE & INTERIOR DESIGN 6

becoming one of the most critical aspects of any spatial designs since other elements would

not be able satisfactorily achieve their full architectural design function without light. Mood

lighting, accent lighting and task lighting are the major categories of lighting used in the

architectural field. Interior designers use mood lighting to add ambience, accent lighting to

emphasize objects and task lighting to define purpose.

Secondly, color is increasingly become an extreme element available for interior designers

to master and harness for their trade. When properly leveraged, color can help designers to

define unity, create mood and alter how users of a space or room perceive its size.

Additionally, when combined with light and color, patterns provide benefits offered by

texture in that it can significantly add a visual appeal to any space where it is used.

Essentially, modern designers create patterns in rooms by using repetitive designs, and can be

found on many of the accessories that are used in modern houses, including fabrics, rugs, soft

furnishings, and wallpaper. Furthermore, there are different types of patterns, including in

terms of their stripes, prints, motifs, and prints (organic, pictorial and geometric).

2. Definition of a ‘home’

The term used to describe a pattern of activity and peoples’ role in such activities and in a

particular environment is domesticity. Additionally, the term also describes a home or family

life, especially when pertaining to the quality or state if being domestic or domesticated.

Whereas any form of domestic inhabitation and physical access are critical approaches used

by people to connect to their homes, it is also apparent that psychological ideas and

connections are equally profound.

PSYCHOLOGY, ARCHITECTURE & INTERIOR DESIGN 7

According to Clare Cooper, a psychologist and architect drawing from psychoanalyst Carl

Jung’s work, a home is a shared archetypal experience that enables people to express their

experiences, perspectives, ideas and emotions through symbolic languages. His definition is

strongly based on Carl Jung’s ideas that home encompasses an amalgamation of a strong

tower and sheltering cavern. For instance, Clare Cooper relies on Carl Jung’s symbolic

interpretation of homes to explore people’s desires in their homes and the impact of these

desires on the people’s psychic elements.

CategoryPsychology

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